Sai Abhyankkar Opens Up on Rahman Exit from Suriya's Karuppu

Young composer reveals he was unaware of Rahman's involvement when offered the project, got Maestro's blessings after clarifying directly

Agent AthreyaAgent Athreya··2 min read
Sai Abhyankkar Opens Up on Rahman Exit from Suriya's Karuppu

The recent music director change in Suriya's upcoming rural entertainer Karuppu has been the talk of the industry, and now Sai Abhyankkar has finally broken his silence on the matter. The young composer, who replaced none other than A.R. Rahman on the RJ Balaji directorial, has revealed the circumstances behind this unexpected switch.

Speaking candidly, Abhyankkar disclosed that he was completely unaware of Rahman's involvement when the project was first offered to him. "I was confused when I saw Rahman sir's name on the poster, but I didn't get a clear explanation initially," the composer admitted. What followed was a direct conversation with the Maestro himself, who graciously supported Abhyankkar's involvement in the project.

This gesture from Rahman speaks volumes about his character, and Abhyankkar was quick to acknowledge it. He praised the legendary composer as both inspiring and humble, showing the kind of grace that has made Rahman beloved across the industry. The young musician admitted he felt the weight of responsibility after the team placed their trust in him, especially following such a high-profile change.

At just 21, Abhyankkar represents the new generation of music directors making waves in Telugu cinema. The son of renowned singers Tippu and Harini, he began composing at the tender age of 11 while in sixth grade. By his own admission, he has already composed nearly a thousand songs, though he prefers creating fresh music tailored to each story rather than recycling older compositions.

Karuppu, starring Suriya alongside Trisha and Yogi Babu, is slated for a May 14th release and carries significant expectations. The film marks another collaboration for Suriya with Tamil cinema, and Abhyankkar's music will be crucial in connecting with both Tamil and Telugu audiences.

This incident also highlights the fluid nature of film music assignments, where changes can happen due to various factors. What matters most is how gracefully all parties handle such transitions, and both Rahman's supportive stance and Abhyankkar's honest disclosure reflect the professional maturity that keeps our industry moving forward.

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Investigation note

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