Vetrimaaran Takes Veiled Dig at Dhurandhar 2 as Ranveer Singh Film Crosses ₹1100 Cr

The phenomenal success of Dhurandhar: The Revenge has sparked an unexpected controversy, with celebrated Tamil director Vetrimaaran appearing to target the Ranveer Singh starrer in remarks that have set social media ablaze.

While Aditya Dhar's spy action thriller continues its relentless march past the ₹1100 crore milestone globally, Vetrimaaran made pointed observations about contemporary cinema that many interpret as a direct commentary on the film's themes. "Today, everything becomes propaganda. Propaganda has the power to influence memory," the National Award-winning filmmaker stated, before adding provocatively, "We all know who was impacted by demonetization and how many lives were affected while standing in queues. It's hate propaganda."

The timing of these comments, arriving precisely as Dhurandhar 2 dominates headlines with its record-breaking run, has hardly gone unnoticed by industry watchers. Vetrimaaran's reputation for socially conscious filmmaking adds weight to his critique, though he stopped short of naming the film directly.

Social media has erupted with divided reactions. While many applaud Vetrimaaran's courage in speaking truth to power, others have turned the mirror back on him, questioning whether his own recent release Viduthalai Part 2 doesn't carry its own ideological messaging.

This controversy arrives at a fascinating juncture for Telugu and Indian cinema. Dhurandhar 2's astronomical success proves audiences are hungry for large-scale entertainment with nationalist themes, yet it also highlights the growing polarization around cinema's role in shaping public discourse.

For Ranveer Singh and the film's team, these comments might actually fuel more curiosity and discussion around their project. In an era where any publicity translates to box office momentum, Vetrimaaran's indirect attack could paradoxically benefit the very film he appears to critique.

The real question emerging from this dust-up isn't about any single film's merits, but about cinema's responsibility in an increasingly fragmented media landscape. As Dhurandhar 2 races toward even bigger milestones, this debate will likely intensify.